Recent Articles
Nicholas Hanson and Alexa Elser. “Equity and the Academy: A Survey of Theatre Productions at Canadian Post-Secondary Institutions.” Canadian Theatre Review 165 (2016): 35–39. (access)
Nicholas Hanson. “Solo Census: A Numerical Analysis of One-Person Performances in Canada.” Theatre Research in Canada 34.2 (2013): 293–304. (access)
Nicholas Hanson. “iTYA = i: Assessing the Fair Market Value of Young People.” Canadian Theatre Review 150 (2012): 47-52. (access)
Nicholas Hanson. "Back to the Books: Evaluating the Economic Factors Behind Literature-based Theatre for Young Audiences Productions." The Lion & Unicorn 36.2 (2012): 193-208. (access)
Nicholas Hanson. “This Ain’t the Scotiabank Theatre: Comedy Bar’s Impact on the Improvisation Community.” Canadian Theatre Review 143 (2010): 86 -89. (access)
Nicholas Hanson. “Boom or Bust?: A Survey of Theatre for Young Audiences in Alberta.” Canadian Theatre Review 136 (2008): 115-119.
Nicholas Hanson. “This Must be a Punchline: Directing a Theatre Production for 230 Young People with Attention Deficit Hyperactivity Disorder, Learning Disabilities, Nonverbal Learning Disorders, and Asperger Syndrome.” Canadian Theatre Review 133 (2008): 38-46.
Reviews and Other Publications
Hanson, Nicholas. “Who Pays for the Public to Play?” Canadian Theatre Review 164 (2015): 104-06. (access)
Hanson, Nicholas. “The T-Word.” All Stages Magazine. Spring (2014): 16.
Hanson, Nicholas. “Artistic Directors, their Theatres and their Audiences” (interview). All Stages Magazine. Spring (2011): 6-7.
Hanson, Nicholas. “Who’s Not Professional? – A review of Hot Thespian Action: Ten Premiere Plays from the Walterdale Playhouse.” Theatre Research in Canada 31.2 (2010): 208-210. (access)